• you are here

  • Baobab Tree's history
  • artistic director Kathy Armstrong

  • village of Dagbamete, Ghana
  • our mentor Kwasi Dunyo
  • WACE centre and Kathy Armstrong Lodge

  • Adult, Youth, Children
  • drumming
  • dancing

  • Canadians visit Ghana
  • fundraising campaign
  • case statement
  • long-range plans

  • Akpokli Drum and Dance Society
  • Baobab Youth Performers

  • drumming classes
  • workshops
  • school projects
  • collaborations

click here to donate click to donate


Baobab Tree
99 Fifth Ave. Unit 5 Suite 131
Ottawa, ON., Canada, K1S 5P5
e-mail: info@baobabtree.org
phone:
(613) 725-6994
Canadian charity registration number:
86158 7095 RR0001

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  • Baobab Tree has for sale:
  • CD "Footsteps To Ghana" - drumming and singing pieces by the Youth Performers
  • DVD "Footsteps To Ghana" - a documentary of the 2001 trip directed by François DesRochers
  • both are available in Ottawa from Planet Botanix, 911 Bank St., Ottawa, Ontario, K1S 3W5, 230-0222
  • or we can mail them to you
  • CD order details
  • acclaim for Footsteps to Ghana

our first CD Footsteps to Ghana
sample tracks
pete pete
gota
ghana alleluia

featuring Baobab Youth Performers with guest artist Kwasi Dunyo

CD and DVD purchase information

click here for order form CD and DVD 
order form
or send us an email

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acclaim for Footsteps to Ghana

"This earthy, sophisticated, soulful, must-be-moved-to CD shows there are other ways besides band and choir for a group of young people to experience the discipline and delirium of making music."
- Canadian composer and poet Stephen Hatfield

"Fusing their own creativity with the influence of West Africa, Baobab provides the spirit and energy that music deserves..."
- Larry Graves, Courong Fayo Drum and Dance Troupe, Ottawa

"Thanks for the CD, which I have listened to and enjoyed. Great job."
- David Locke, ethnomusicologist and Chair of Music at Tufts University, Boston, Massachusetts USA

"The CD is a great resource for me and for the members of Sogo. I've already played one piece for them at rehearsal. The quality is very impressive. You can hear all of the parts and the voices very clearly. This is very helpful when trying to figure out how the parts fit together. I am also impressed with the vocal quality of the children's and adult's voices on the recording. It provides what I believe is a healthy, and (to my knowledge) authentic vocal sound. And, academics aside, it is just entertaining to listen to. When I have it playing in my room at school, people always stop by to see what it is. By the way, I think I heard that last track in a dance club a few weeks ago. Has it hit the charts yet?"
- Lou Persic, Director, Sogo African Rhythm Ensemble, Maryland, USA

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